No label defined (Q3144322)
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Project Q3144322 in Spain
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | No label defined |
Project Q3144322 in Spain |
Statements
20,328.0 Euro
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25,410.0 Euro
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80.0 percent
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1 January 2015
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31 December 2018
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UNIVERSIDAD DE SANTIAGO DE COMPOSTELA
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42°52'49.51"N, 8°32'45.10"W
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15078
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EL OBJETIVO DEL PRESENTE PROYECTO ES ESTUDIAR LA VOZ DE LAS MUJERES MEDIEVALES QUE SE TRANSMITE EN LOS DOCUMENTOS TANTO DE CARACTER HISTORICO COMO LITERARIO ENTRE LOS SIGLOS XII Y XIV, ATENDIENDO A ASPECTOS DE SU CONFIGURACION SOCIAL Y DE SU VISUALIZACION, PROTAGONISMO Y REPRESENTACION EN LOS TEXTOS. EL ANALISIS TENDRA UN CARACTER TRANSVERSAL, PUES PRETENDE INDAGAR DESDE UNA PERSPECTIVA DE GENERO EN EL PROTAGONISMO QUE ADQUIERE EL ¿YO¿ FEMENINO EN LAS MANIFESTACIONES LITERARIAS MAS RELEVANTES, COMPLETANDO ESTE ESTUDIO CON LA INVESTIGACION DEL CONTEXTO HISTORICO EN EL QUE VIVEN. A PESAR DE QUE LA EDAD MEDIA ES VISTA COMO UNA EPOCA FUNDAMENTALMENTE MASCULINA, A PARTIR DEL SIGLO XII LAS MUJERES COBRAN RELEVANCIA SOCIAL CON REINAS QUE EJERCEN UN PODER SIGNIFICATIVO Y CAPITAL PARA EL NACIMIENTO DE LAS LITERATURAS EN LENGUAS VERNACULAS (COMO LEONOR DE AQUITANIA), CON NOBLES QUE DESDE SU POSICION PROTEGIAN E IMPULSABAN LA ACTIVIDAD CULTURAL Y LITERARIA EN SU CORTE, O CON RELIGIOSAS QUE DESDE SU ESPACIO RESERVADO FUERON PILARES SOBRE LOS QUE SE CONSTRUYO PARTE DE LA HISTORIA POLITICA DE LOS REINOS QUE EN ESOS MOMENTOS SE ESTABAN CONFIGURANDO. ESTAS FIGURAS FEMENINAS SE COMPLEMENTAN EN LA LITERATURA CON MUJERES QUE COMPONEN LIRICA (TROBAIRITZ OCCITANAS) Y RELATOS NARRATIVOS (MARIA DE FRANCIA), QUE ACOMPAÑAN A LOS TROVADORES EN SU ACTIVIDAD POETICA (JUGLARESAS Y SOLDADERAS), QUE SON SUJETO FINGIDO DE COMPOSICIONES LIRICAS (CANTIGA DE AMIGO, CHANSON DE FEMME) O DESTINATARIAS DE OTRAS (TROVADORES, PETRARCA¿), AL MISMO TIEMPO QUE RECIBEN CRITICAS FEROCES EN PIEZAS SATIRICAS DE DIFERENTE TIPOLOGIA, SOBRE TODO, PERTENECIENTES A LA ULTIMA EPOCA (S. XIV)._x000D_ SE DECIDIO ESTABLECER UNA DELIMITACION TEMPORAL A PARTIR DEL SIGLO XII, PUESTO QUE ES EL MOMENTO EN EL QUE EMERGEN LAS LITERATURAS VULGARES, Y SE FINALIZA EN EL SIGLO XIV, EPOCA EN QUE ATISBA UN NUEVO PERIODO Y SE ABANDONAN LAS CARACTERISTICAS PROPIAS DEL MEDIOEVO. EL ESTUDIO DEL AMBITO FEMENINO SE ACOTARA ESPACIALMENTE ATENDIENDO A LAS PRINCIPALES AREAS DE LA EUROPA MEDIEVAL (HISPANICA ¿CON ESPECIAL ATENCION A LA GALLEGO-PORTUGUESA-, FRANCESA, OCCITANA E ITALIANA). _x000D_ SE TRATA, PUES, DE EXAMINAR EL PROTAGONISMO DE LAS MUJERES ATENDIENDO AL CONTEXTO HISTORICO Y A SU REPRESENTACION EN LOS TEXTOS LITERARIOS (SOBRE TODO, LIRICOS), YA SEA COMO AUTORA O COMO PROTAGONISTA DE OBRAS DE CARACTER AMOROSO Y DE CARACTER SATIRICO. (Spanish)
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THE OBJECTIVE OF THIS PROJECT IS TO STUDY THE VOICE OF MEDIEVAL WOMEN THAT IS TRANSMITTED IN DOCUMENTS OF BOTH HISTORICAL AND LITERARY CHARACTER BETWEEN THE 12TH AND 14TH CENTURIES, TAKING INTO ACCOUNT ASPECTS OF THEIR SOCIAL CONFIGURATION AND THEIR VISUALISATION, PROTAGONISM AND REPRESENTATION IN THE TEXTS. THE ANALYSIS WILL HAVE A TRANSVERSAL CHARACTER, SINCE IT AIMS TO INVESTIGATE FROM A GENDER PERSPECTIVE IN THE PROTAGONISM ACQUIRED BY THE FEMALE IN THE MOST RELEVANT LITERARY MANIFESTATIONS, COMPLETING THIS STUDY WITH THE INVESTIGATION OF THE HISTORICAL CONTEXT IN WHICH THEY LIVE. DESPITE THE FACT THAT THE MIDDLE AGE IS SEEN AS A FUNDAMENTALLY MASCULINE ERA, FROM THE 12TH CENTURY, WOMEN GAIN SOCIAL RELEVANCE WITH QUEENS WHO EXERCISE SIGNIFICANT POWER AND CAPITAL FOR THE BIRTH OF LITERATURE IN VERNACULAS LANGUAGES (SUCH AS ELEANOR OF AQUITAINE), WITH NOBLES WHO FROM THEIR POSITION PROTECT AND PROMOTE CULTURAL AND LITERARY ACTIVITY IN THEIR COURT, OR WITH RELIGIOUS WHO FROM THEIR RESERVED SPACE WERE PILLARS ON WHICH PART OF THE POLITICAL HISTORY OF THE KINGDOMS THAT WERE BEING CONFIGURED WAS BUILT. These FEMENINE FIGURES are complemented in the LITERATURE WITH LIRICAL WOMEN (Occitan Trobairitz) AND NARRATIVE RELATINGS (FRANCE MARY), who ACOMPAIN the troubadours in their POETICAL ACTIVITY (jugrolary and welding), that they are supported by liric compounds (AMIGO CANTIGA, CHANSON DE FEMME) or recipients of other (trovators, PETRARCA), at the same time that they receive FEROCE CRITICS in satirical pyezes of different typologies, OUT ALL, PERTENECENTS TO THE ULTIMATE EPOCA (S. XIV)._x000D_ SEED TO BE A TEMPORAL DElimitation TO PART OF SIGL XII, POWER THAT IS THE TIME IN THAT THE Vulnerable LITERATURES Emerged, AND FINALITED IN SIGL XIV, CUSTOMES THAT A NEW PERIOD AND THE PROPERTY CHARACTERISTICS of the Middle Ages were visible. THE STUDY OF THE FEMALE FIELD IS SPATIALLY LIMITED ACCORDING TO THE MAIN AREAS OF MEDIEVAL EUROPE (HISPANIC WITH SPECIAL ATTENTION TO GALICIAN-PORTUGUESA-, FRENCH, OCCITAN AND ITALIAN). _x000D_ is treated, for example, to examine the protection of women by paying attention to the historical connection and their representation in the LITERARY TEXT (overall, liricos), and be as an enabler or as a PROTAGONIST of amorose and satirical CARACTER PROTAGONIST. (English)
12 October 2021
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Santiago de Compostela
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Identifiers
FFI2014-55628-P
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