No label defined (Q3194167)

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Revision as of 23:35, 12 October 2021 by DG Regio (talk | contribs) (‎Created claim: summary (P836): THE PROJECT "BODIES IN TRANSIT/BODIES IN TRANSIT" BRINGS TOGETHER SYNERGIES OF RESEARCH PROJECTS "SEXUALITIES AND GENDER IDENTITIES IN CONTEMPORARY ANGLOPHONE CULTURES" AND "CULTURAL MARKETS IN GLOBALISATION: PRODUCTION, CIRCULATION AND RECEPTION OF THE DIFFERENCE" FROM COMMON EPISTEMOLOGICAL BUDGETS. THE COORDINATED PROJECT WILL DEEPEN THE STUDY OF THE EFFECT OF THE CHARACTERISTIC NEOLIBERAL POSTULATES OF THE POSTMODERN ERA AND THEIR GLOBALISAT...)
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Project Q3194167 in Spain
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Project Q3194167 in Spain

    Statements

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    63,888.0 Euro
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    79,860.0 Euro
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    80.0 percent
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    1 January 2014
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    31 December 2017
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    UNIVERSIDAD DE HUELVA
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    37°15'27.32"N, 6°56'54.56"W
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    21041
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    EL PROYECTO "CUERPOS EN TRANSITO/ BODIES IN TRANSIT" SUMA SINERGIAS DE LOS PROYECTOS DE INVESTIGACION "SEXUALIDADES E IDENTIDADES DE GENERO EN LAS CULTURAS ANGLOFONAS CONTEMPORANEAS" Y "LOS MERCADOS CULTURALES EN LA GLOBALIZACION: LA PRODUCCION, CIRCULACION Y RECEPCION DE LA DIFERENCIA" A PARTIR DE PRESUPUESTOS EPISTEMOLOGICOS COMUNES. EL PROYECTO COORDINADO PROFUNDIZARA EN EL ESTUDIO DEL EFECTO DE LOS POSTULADOS NEOLIBERALES CARACTERISTICOS DE LA ERA POSTMODERNA Y SU GLOBALIZACION SOBRE NUESTRA CONCEPTUALIZACION DE LOS CUERPOS COMO REPOSITORIOS DE LA DIFERENCIA. ABORDARA TAMBIEN LOS EFECTOS DE DICHOS PROCESOS DE DIFERENCIACION TANTO EN LA PROPIA EXPERIENCIA MATERIAL DE LOS CUERPOS COMO EN SU REPRESENTACION EN LOS PRODUCTOS CULTURALES QUE CIRCULAN EN LAS CULTURAS GLOBALIZADAS. _x000D_ TRAS ANALIZAR LA CONSTRUCCION DE LAS IDENTIDADES DE GENERO Y SEXUALES EN LA LITERATURA EN INGLES EN EL PROYECTO "SEXUALIDADES" ASI COMO SU INTERACCION CON OTROS ELEMENTOS IDENTITARIOS DIFERENCIALES COMO ETNICIDAD, CLASE Y NACION Y SU MERCANTILIZACION A NIVEL GLOBAL EN "LOS MERCADOS CULTURALES", PROPONEMOS PROFUNDIZAR NUESTRA CONSIDERACION CRITICA DE LA IDENTIDAD HUMANISTA DESDE NUEVOS CONCEPTOS POSTIDENTITARIOS QUE, SIN RENUNCIAR COMPLETAMENTE AL CONCEPTO DE IDENTIDAD, LA CONCIBEN COMO ESTRATEGIA POLITICA CONTEXTUAL. MIENTRAS EL SUBPROYECTO COORDINADOR, "CUERPOS EN TRANSITO: DEL CONFLICTO A LA RECUPERACION" ESTUDIARA LOS EFECTOS TRAUMATICOS SOBRE EL CUERPO DEL CAPITALISMO AVANZADO, SUS DIVERSAS FORMAS DE EJERCER LA VIOLENCIA, Y LOS PROCESOS DE RECUPERACION Y REHABILITACION DE LAS VICTIMAS DE ESA VIOLENCIA, EL SUBPROYECTO "CUERPOS EN TRANSITO: LA DIFERENCIA EN LAS CULTURAS GLOBALIZADAS" ESTUDIARA LA CIRCULACION DE LOS CUERPOS DIFERENTES/DIFERENCIADOS COMO OBJETOS DE CONSUMO EN LAS REPRESENTACIONES CULTURALES CONTEMPORANEAS EN DIVERSOS MEDIOS ARTISTICOS, JUNTO A SU POTENCIAL PARA LA CONSOLIDACION DE EPISTEMOLOGIAS POSTHUMANISTAS NO ANTROPOCENTRICAS NI ANDROCENTRICAS. PARTIENDO DE LAS TEORIAS DE LA DIFERENCIA RACIAL, SEXUAL Y DE GENERO YA CLASICAS EN LA INTERSECCION DE LOS ESTUDIOS FEMINISTAS, ESTUDIOS POSTCOLONIALES Y ESTUDIOS QUEER, QUE NOS HAN SIDO TAN UTILES Y FRUCTIFERAS EN LOS ANTERIORES PROYECTOS, NOS PROPONEMOS AHORA AÑADIR MAYOR ENFASIS EN AMBOS SUBPROYECTOS A LA TEORIZACION Y CRITICA CULTURAL EN LOS SIGUIENTES EJES PRINCIPALES: EL POST-HUMANISMO, EN RELACION A LA TECNOLOGIA, PERO TAMBIEN A LA SEXUALIDAD (SIGUIENDO A ROSSI BRAIDOTTI Y DONNA HARAWAY); EL ANALISIS DE LAS NECROPOLITICAS (TERMINO DE ACHILLE MBEMBE), EN EL ESTUDIO DE LOS CONFLICTOS ARMADOS Y LAS NARRATIVAS DEL HUMANITARIANISMO; TEORIAS DEL TRAUMA Y RECUPERACION Y SUS EXPRESIONES ARTISTICAS, TANTO PARA LAS NECROPOLITICAS GLOBALES DE LOS CONFLICTOS ARMADOS COMO PARA LA VIOLENCIA DE GENERO EN EL ENTORNO MAS PRIVADO; TEORIAS ESPECIFICAS SOBRE LA GLOBALIZACION CON ESPECIAL ATENCION AL NEOIMPERIALISMO Y NEO-ORIENTALISMO Y SU IMPACTO EN LA PRODUCCION CULTURAL (MANEJANDO DIVERSOS TRABAJOS DE HARDT AND NEGRI, GILROY, HUGGAN, SPIVAK, APPADURAI O CASTELLS, ENTRE OTROS). _x000D_ AMBOS SUBPROYECTOS UTILIZARAN PARA SU ANALISIS PRODUCCIONES CULTURALES CONTEMPORANEAS EN DIVERSO FORMATO (LITERATURA, CINE, ARTES VISUALES), ATENDIENDO AL CARACTER TRANSNACIONAL DE LAS CULTURAS GLOBALIZADAS Y A LOS PROCESOS DE TRANSFORMACION TANTO DEL CUERPO POSTHUMANO COMO DEL CORPUS CULTURAL DE DISTINTAS COMUNIDADES EN ESTE CONTEXTO GLOBAL, DESDE PERSPECTIVAS DIFERENTES Y COMPLEMENTARIAS. (Spanish)
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    THE PROJECT "BODIES IN TRANSIT/BODIES IN TRANSIT" BRINGS TOGETHER SYNERGIES OF RESEARCH PROJECTS "SEXUALITIES AND GENDER IDENTITIES IN CONTEMPORARY ANGLOPHONE CULTURES" AND "CULTURAL MARKETS IN GLOBALISATION: PRODUCTION, CIRCULATION AND RECEPTION OF THE DIFFERENCE" FROM COMMON EPISTEMOLOGICAL BUDGETS. THE COORDINATED PROJECT WILL DEEPEN THE STUDY OF THE EFFECT OF THE CHARACTERISTIC NEOLIBERAL POSTULATES OF THE POSTMODERN ERA AND THEIR GLOBALISATION ON OUR CONCEPTUALISATION OF BODIES AS REPOSITORIES OF DIFFERENCE. IT WILL ALSO ADDRESS THE EFFECTS OF THESE PROCESSES OF DIFFERENTIATION ON BOTH THE MATERIAL EXPERIENCE OF THE BODIES AND THEIR REPRESENTATION IN THE CULTURAL PRODUCTS THAT CIRCULATE IN GLOBALISED CULTURES. _x000D_ after analysing the construction of the GENERO and SEXUAL IDENTITIES in the LITERATURE IN ENGLISHED IN THE PROJECT “sexualities” as well as its interaction with other different identity elements as ethnicity, class and nation and its commercialisation to GLOBAL LEVEL in “the CULTURAL MERCATEs”, we PROPONATE OUR CRITICAL CONSIDERATION OF HUMANIST IDENTITY from new post-identity agreements that, without complete completion of the IDENTITY Agreement, Accept as CONTEXTUAL POLICY STRATEGY. WHILE THE CO-ORDINATING SUB-PROJECT, "BODIES IN TRANSIT: FROM CONFLICT TO RECOVERY“WILL STUDY THE TRAUMATIC EFFECTS ON THE BODY OF ADVANCED CAPITALISM, ITS VARIOUS FORMS OF VIOLENCE, AND THE PROCESSES OF RECOVERY AND REHABILITATION OF THE VICTIMS OF THIS VIOLENCE, THE SUBPROJECT”BODIES IN TRANSIT: THE DIFFERENCE IN GLOBALISED CULTURES" WILL STUDY THE CIRCULATION OF DIFFERENT/DIFFERENTIATED BODIES AS OBJECTS OF CONSUMPTION IN CONTEMPORARY CULTURAL REPRESENTATIONS IN VARIOUS ARTISTIC MEDIA, ALONG WITH THEIR POTENTIAL FOR THE CONSOLIDATION OF POSTHUMANIST EPISTEMOLOGIAS NEITHER ANTROPOCENTRICS NOR ANDROCENTRICS. STARTING FROM THE THEORIES OF RACIAL, SEXUAL AND GENDER DIFFERENCE ALREADY CLASSIC IN THE INTERSECTION OF FEMINIST STUDIES, POSTCOLONIAL STUDIES AND QUEER STUDIES, WHICH HAVE BEEN SO USEFUL AND FRUITFUL IN PREVIOUS PROJECTS, WE NOW PROPOSE TO ADD GREATER EMPHASIS IN BOTH SUBPROJECTS TO THEORISATION AND CULTURAL CRITICISM IN THE FOLLOWING MAIN AXES: POST-HUMANISM, IN RELATION TO TECHNOLOGY, BUT ALSO SEXUALITY (FOLLOWING ROSSI BRAIDOTTI AND DONNA HARAWAY); ANALYSIS OF NECROPOLITICAS (END OF ACHILLE MBEMBE), IN THE STUDY OF ARMED CONFLICTS AND NARRATIVES OF HUMANITARIANISM; THEORIES OF TRAUMA AND RECOVERY AND ITS ARTISTIC EXPRESSIONS, BOTH FOR THE GLOBAL NECROPOLITICAS OF ARMED CONFLICT AND FOR GENDER VIOLENCE IN THE MOST PRIVATE ENVIRONMENT; SPECIFIC THEORIES ABOUT GLOBALISATION WITH SPECIAL ATTENTION TO NEO-IMPERIALISM AND NEO-ORIENTALISM AND ITS IMPACT ON CULTURAL PRODUCTION (MANAGING VARIOUS WORKS BY HARDT AND NEGRI, GILROY, HUGGAN, SPIVAK, APPADURAI OR CASTELLS, AMONG OTHERS). _x000D_ both sub-projects will use for their ANALISIS CONTEMPORARY CULTURAL PRODUCTIONS IN DIVERSO FORMATO (LITERATURE, CINE, VISUAL ARTS), attending to the TRANSNATIONAL CHARACTER OF GLOBAL CULTURAL CULTURAL CULTURAL CULTURAL CULTURAL CULTURAL CULTURAL CULTURES AND PROCESSES OF TANT TRANSFORMATION OF the post-human body, from DIFFERENT AND COMPLEMENTARY PERSPECTIVES. (English)
    13 October 2021
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    Huelva
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    Identifiers

    FFI2013-47789-C2-1-P
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