” Digitalisation of the undisputed collection of photographic material of the Museum of Contemporary Art Arts in Krakow by MOCAK for e-culture and e-education” (Q111638): Difference between revisions
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(Created claim: summary (P836): The aim of the project is the digitisation of an invaluable collection of photographic materials presenting some closed time in the history of the photographs, their development in a dedicated database programme and the online dissemination of such photographs not yet published in their entirety. The digital process will cover sites that have a high documentary, historical and iconographic value which, because of the material, are extremely unst...) |
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| Property / summary | |||
The aim of the project is the digitisation of an invaluable collection of photographic materials presenting some closed time in the history of the photographs, their development in a dedicated database programme and the online dissemination of such photographs not yet published in their entirety. The digital process will cover sites that have a high documentary, historical and iconographic value which, because of the material, are extremely unstable, chemically modified or damaged. Among these are: — negatives and slides — over 56 % of the net negative cages and slides held by the institution have been selected for more than. It is distinguished by the fragility of the material and its instability, which makes them the most vulnerable to changing behaviour when they are made available. The selected thematic collections will be selected: Mikołaja Smoczyński, Mariana Eilego, Władysław Hasiora, Mieczysław Porębski and the Artists of the Railway Company, which are often the sole document of behaviour and the only trace after the art of art. A number of 1200 photographic proofs of Mikołaja Smolczyński, which were included in 49 photographic cycles. In addition to the film, photographic images are extremely sensitive, at which time an uncovered illumination must be avoided. Their permanent and long exposure in the museum rooms is even impossible, and each query is liable to expose them to destruction. The project will be digitised and made available to 9564 sites, which will be digitised in 5190 (the others have metadata). Selected sites meet the legal criteria, have a regulated legal status for copyright and good conservation status. In addition, these are: — of specific documentary, historical, iconographic value — not available for permanent displays for conservation reasons — for which a high quality digital image has not yet been realised, and (English) | |||
| Property / summary: The aim of the project is the digitisation of an invaluable collection of photographic materials presenting some closed time in the history of the photographs, their development in a dedicated database programme and the online dissemination of such photographs not yet published in their entirety. The digital process will cover sites that have a high documentary, historical and iconographic value which, because of the material, are extremely unstable, chemically modified or damaged. Among these are: — negatives and slides — over 56 % of the net negative cages and slides held by the institution have been selected for more than. It is distinguished by the fragility of the material and its instability, which makes them the most vulnerable to changing behaviour when they are made available. The selected thematic collections will be selected: Mikołaja Smoczyński, Mariana Eilego, Władysław Hasiora, Mieczysław Porębski and the Artists of the Railway Company, which are often the sole document of behaviour and the only trace after the art of art. A number of 1200 photographic proofs of Mikołaja Smolczyński, which were included in 49 photographic cycles. In addition to the film, photographic images are extremely sensitive, at which time an uncovered illumination must be avoided. Their permanent and long exposure in the museum rooms is even impossible, and each query is liable to expose them to destruction. The project will be digitised and made available to 9564 sites, which will be digitised in 5190 (the others have metadata). Selected sites meet the legal criteria, have a regulated legal status for copyright and good conservation status. In addition, these are: — of specific documentary, historical, iconographic value — not available for permanent displays for conservation reasons — for which a high quality digital image has not yet been realised, and (English) / rank | |||
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Revision as of 11:33, 9 March 2020
Project in Poland financed by DG Regio
| Language | Label | Description | Also known as |
|---|---|---|---|
| English | ” Digitalisation of the undisputed collection of photographic material of the Museum of Contemporary Art Arts in Krakow by MOCAK for e-culture and e-education” |
Project in Poland financed by DG Regio |
Statements
579,783.81 zloty
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836,090.6 zloty
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85.0 percent
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1 October 2016
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30 April 2019
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MUZEUM SZTUKI WSPÓŁCZESNEJ W KRAKOWIE MOCAK
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Przedmiotem projektu jest digitalizacja bezcennej kolekcji materiałów fotograficznych prezentujących pewien zamknięty czas w historii fotografii, ich opracowanie w dedykowanym programie bazodanowym oraz popularyzację online tego dotąd niepublikowanego w całości zbioru. Procesem digit. zostaną objęte obiekty posiadające dużą wartość dokumentacyjną, historyczną jak i ikonograficzną, które z uwagi na materiał wykonania są wyjątkowo nietrwałe i ulegające łatwo zmianom chemicznym czy uszkodzeniom. Wśród nich znajdują się: - negatywy i diapozytywy – z posiadanego przez instytucję zasobu ponad 15 000 klatek negatywów i diapozytywów do projektu zostało wytypowanych ponad 56%. Wyróżnia je kruchość materiału i jego niestabilność, która powoduje, że są najbardziej narażone na zmiany stanu zachowania w przypadku ich udostępniania. Projektem objęte zostaną wybrane zbiory tematyczne: Mikołaja Smoczyńskiego, Mariana Eilego, Władysława Hasiora, Mieczysława Porębskiego i Artystów z Kolekcji MOCAK-u, które stanowią często jedyny dokument zachowania i jedyny ślad po dziele sztuki. - autorskie odbitki fotograficzne Mikołaja Smoczyńskiego w liczbie 1200 ujętych w 49 cykli fotograficznych. Odbitki fotograficzne są obok klisz, wyjątkowo delikatnym materiałem, przy którego ekspozycji należy unikać oświetlenia nieosłoniętego filtrami. Ich stała i długa ekspozycja w salach muzealnych jest wręcz niemożliwa, a każda kwerenda jest narażeniem ich na zniszczenie. W ramach projektu zostanie zdigitalizowanych i udostępnionych 9564 obiektów, opracowanych merytorycznie zostanie 5190 (pozostałe posiadają metadane). Wytypowane obiekty spełniają kryteria prawne - posiadają uregulowany stan prawny w zakresie praw autorskich i dobry stan konserwatorski. Ponadto są to obiekty: - o szczególnej wartości dokumentacyjnej, historycznej, ikonograficznej, - nie udostępniane na stałych ekspozycjach z powodów konserwatorskich - dla których powstanie wizerunek cyfrowy wysokiej jakości, a które nie zostały dotąd zdi (Polish)
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The aim of the project is the digitisation of an invaluable collection of photographic materials presenting some closed time in the history of the photographs, their development in a dedicated database programme and the online dissemination of such photographs not yet published in their entirety. The digital process will cover sites that have a high documentary, historical and iconographic value which, because of the material, are extremely unstable, chemically modified or damaged. Among these are: — negatives and slides — over 56 % of the net negative cages and slides held by the institution have been selected for more than. It is distinguished by the fragility of the material and its instability, which makes them the most vulnerable to changing behaviour when they are made available. The selected thematic collections will be selected: Mikołaja Smoczyński, Mariana Eilego, Władysław Hasiora, Mieczysław Porębski and the Artists of the Railway Company, which are often the sole document of behaviour and the only trace after the art of art. A number of 1200 photographic proofs of Mikołaja Smolczyński, which were included in 49 photographic cycles. In addition to the film, photographic images are extremely sensitive, at which time an uncovered illumination must be avoided. Their permanent and long exposure in the museum rooms is even impossible, and each query is liable to expose them to destruction. The project will be digitised and made available to 9564 sites, which will be digitised in 5190 (the others have metadata). Selected sites meet the legal criteria, have a regulated legal status for copyright and good conservation status. In addition, these are: — of specific documentary, historical, iconographic value — not available for permanent displays for conservation reasons — for which a high quality digital image has not yet been realised, and (English)
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Identifiers
RPMP.02.01.02-12-0046/16
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